After having participated in many “French Latin” bands such as The Bongo Hop, Who’s the Cuban, Cumbia Ya! and Cumbia y Cardón, the Colombian Pao Barreto, settled in Paris for almost ten years, launched last year her solo career with a first album, “Spiralis”, released in spring 2021.
Her compositions draw on a multitude of styles: festive Caribbean rhythms (porro, champeta, cumbia) rub shoulders with highly reverberated electronic sounds, with touches of soul, funk, swing and reggae.
Her texts celebrate the themes which are dear to her: the connection to nature, the cyclical rhythm of everything and the capacity of each one to transform.
For more than 10 years The Garifuna Collective has pushed the boundaries of their dynamic, centuries-old musical traditions, breaking new ground with performances that show why UNESCO has proclaimed the language, dance, and music of the Garifuna people of Central America as a “Masterpiece of the Oral and Intangible Heritage of Humanity”.
The Garifuna Collective has performed in over 25 countries has been part of the most celebrated Garifuna albums of all time, including the critically acclaimed Wátina, recipient of the WOMEX and BBC World Music Award and voted by Amazon as the Number One World Music Album of All Time.
After an intense showcase performance that culminated with the first encore in 15 years at WOMEX, the band is extremely excited to be bringing their music and vibrant culture to the world stage in 2022.
Damas Gratis (Spanish for “Ladies’ Night”, literally “Ladies for Free”), creators of the “cumbia villera” (from the word villa, the Argentine equivalent of Brazilian favelas) is undoubtedly the most important cumbia band in Argentina.
Debuting in 2000 in San Fernando on the northern outskirts of Buenos Aires at the hand of Pablo Lescano, Damas Gratis is considered by many Argentinians as the “Maradona of Cumbia” and is today one of the great names in Latin American cumbia; for its history, its trajectory and the popular craze at each gig.
Eight studio albums, three live albums, almost two million fans on Facebook, sold out concerts in the four corners of the continent and collaborations with the greatest Latin artists are amongst their achievements to date.
Dozens of groups have been inspired by this great band; commonly called “cumbia villera”, having spawned the diffusion of this undercurrent of cumbia, from Mexico to Patagonia, converting it as a standard bearer of the demands of the popular classes. This cumbiera villera, a soundtrack of Argentine ghettos, has for nearly two decades taken the place that the hip-hop movement occupies in our suburbs. Music has become the means of expression of the underprivileged classes.
Pablo Lescano is also the first cumbia artist to play in the famous River Plate stadium “El Monumental” in front of 80,000 people, invited by Los Fabulosos Cadillacs in 2008.
Exciting cumbia from Mexico and beyond
The roots of Kumbia Boruka are to be found in Monterrey, the cumbia capital of Mexico and the place where Hernan Cortés, the accordion player and band leader, grew up in the eighties. He didn’t only learn to play the accordion from the living legend of Mexican cumbia, Celso Piña, but he was also the percussionist in the band of Celso Piña during long international tours.
Besides their own contemporary and festive compositions, the band knows how to bring new flavours to classic cumbias from the sixties, mixing it with influences from reggae, dub, African music and rock, psychedelic electric guitar melodies, an extensive rhythm section and powerful and exciting brass arrangements. The Peruvian cumbia, called chicha, is not forgotten either. The result is a hybrid cumbia, nueva cumbia, with fierce Latin energy that will blow your mind! It’s party time!
With three albums and more than 400 shows, Kumbia Boruka has fulfilled his challenge by making the Old Continent vibrate at the emblematic rhythm of Latin America, the Cumbia.
In addition, the band’s music appears with 5 songs in the soundtrack of the excellent documentary series Maradona in Mexico launched on Netflix last year.
The “Remedio” that Kumbia Boruka offers is an authentic and compelling cure against the evils of our time. To be enjoyed without moderation !
Line up
Hernán Cortés – Lead Voice & accordion
Christian Briseño – Lead Voice
Tadeo Cortés – Congas & guacharaca
Jonathan Cortez Castillo – Bass
Miguel Mino – Guitar
Cyril Gelly – Drums
Clément Buisson – Trumpet
Tristan Darphin – Trombone
Ana Tijoux is the Chilean hip-hop protester. Her cover letter could well be what media outlets like The Rolling Stones who chose her as the best rapper in Spanish, The New York Times who points to her as the Latin American response to Lauryn Hill, or magazines like Newsweek who ranks her as the most important Latin American rapper on the international scene.
Ana Tijoux was born in Lille in 1977. Her parents went into exile during Augusto Pinochet’s dictatorship in Chile, which has left a mark on her career, marked by a special sensitivity to political and social issues. Her music dialogues to the sound of hip hop, fused. A feminist and activist in her lyrics, she denounces social and cultural deficiencies.
In favor of women’s rights and against gender violence, in 2014 she highlighted in her album “Vengo” the song “Antipatriarch”. She frequently participate in campaigns against inequality and oppression in the world. Tijoux is committed to defending women’s rights and has denounced gender violence and inequality. Also the inequality faced by artists in the world of cinema, or singers.
Ana is a global artist. About to publish her first book of poetry and her fifth studio album, she dares to go through all the creative processes: she composes, writes and arranges both her own themes and those she develops for different audiovisual projects, from films to documentaries. She has also put herself in front of the camera in films such as La Isla de los Pingüinos or a Chilean series of upcoming premieres and feminist theme called La Jauría.
She has dozens of nominations for various awards such as the MTV, 40 Principales, Indie Music Awards and has eight Grammy nominations (both Latin and Anglo), making her the Chilean woman with the most nominations for these awards.
La Dame Blanche intertwines her native Afro-Cuban influences with hip-hop, trap, reggae, dancehall and reggaeton beats. The musical project of the singer and flutist Yaite Ramos Rodríguez recognizes her on stage as a revelation of rap in Spanish, with an energetic performance that mixes the Latin and the urban, the fierce and the sensual.
Born in a family of musicians, Yaite was raised by sons, rumbas and boleros and began to explore, from the classical flute, the creation of her own musical language. Life took her to perform on stages around the world, collaborating for the first time with Latin jazz, reggae and cumbia artists. These experiences converged in the appearance of La Dame Blanche. From port to port, this mystical character embarks on a ritual that rescues silenced stories from everyday life, and intertwines them with powerful beats that spontaneously dialogue with the feminine company of the flute. Since “Pirata”, her first album release, La Dame Blanche navigates with ease the explosive lyrics of Cuban urban hip hop.
La Dame Blanche has five albums to her credit as well as numerous collaborations with artists from around the world. For more than a decade, their songs have sought to humbly enter homes as an irreverent shout that empowers and soothes with joy the true things in life.
