Nortec Collective

BOSTICH + FUSSIBLE emerged from the burgeoning electronic scene in Tijuana. In 1999 they invented a new style of music called Nortec – a fusion of Norteño (“from the North”) and Techno, founding as well the Nortec Collective.

Documenting the collision between electronic music characterized by heavy dance beats and traditional forms of Mexican music performed with live instrumentation, Nortec Collective paved the way for a new generation of producers and DJs that have reinvented electronic music from a global perspective.

Their last album “Motel Baja” was released in 2014 closing their Nortec trilogy with the Grammy nominees “Bulevar 2000” and “Tijuana Sound Machine”.

The duo has toured for the last 15 years around the globe from Europe to Australia, from South America to Japan and China, also performed in the most important festivals such as Bonnaroo and Coachella – all while still managing to find the time to become iconic artists in their home country of Mexico.

Since 1999, the Nortec Collective musicians have toured throughout the United States, Mexico, Europe, Japan and Latin America. They have played at Central Park’s SummerStage and Irving Plaza in New York, as well as the Winter Music Conference in Miami, the Kennedy Center in Washington, D.C., and shows at the Royal Festival Hall in London and Elysée Montmartre in Paris.

They have done remixes for Beck, Calexico, Ennio Morricone, Kronos Quartet, Leigh Nash, Lenny Kravitz among others…

The song “Tijuana Makes Me Happy” was on the soundtrack of 2006 FIFA World Cup Germany, the video game by EA Sports, and is the title song of the feature film by the same name.

In 2016, Nortec collaborated on the production for the music for Cirque Du Soleil’s show, Luzia.

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Damas Gratis

Damas Gratis (Spanish for “Ladies’ Night”, literally “Ladies for Free”), creators of the “cumbia villera” (from the word villa, the Argentine equivalent of Brazilian favelas) is undoubtedly the most important cumbia band in Argentina.

Debuting in 2000 in San Fernando on the northern outskirts of Buenos Aires at the hand of Pablo Lescano, Damas Gratis is considered by many Argentinians as the “Maradona of Cumbia” and is today one of the great names in Latin American cumbia; for its history, its trajectory and the popular craze at each gig.

Eight studio albums, three live albums, almost two million fans on Facebook, sold out concerts in the four corners of the continent and collaborations with the greatest Latin artists are amongst their achievements to date.

Dozens of groups have been inspired by this great band; commonly called “cumbia villera”, having spawned the diffusion of this undercurrent of cumbia, from Mexico to Patagonia, converting it as a standard bearer of the demands of the popular classes. This cumbiera villera, a soundtrack of Argentine ghettos, has for nearly two decades taken the place that the hip-hop movement occupies in our suburbs. Music has become the means of expression of the underprivileged classes.

Pablo Lescano is also the first cumbia artist to play in the famous River Plate stadium “El Monumental” in front of 80,000 people, invited by Los Fabulosos Cadillacs in 2008.

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La Dame Blanche

La Dame Blanche intertwines her native Afro-Cuban influences with hip-hop, trap, reggae, dancehall and reggaeton beats. The musical project of the singer and flutist Yaite Ramos Rodríguez recognizes her on stage as a revelation of rap in Spanish, with an energetic performance that mixes the Latin and the urban, the fierce and the sensual.

Born in a family of musicians, Yaite was raised by sons, rumbas and boleros and began to explore, from the classical flute, the creation of her own musical language. Life took her to perform on stages around the world, collaborating for the first time with Latin jazz, reggae and cumbia artists. These experiences converged in the appearance of La Dame Blanche. From port to port, this mystical character embarks on a ritual that rescues silenced stories from everyday life, and intertwines them with powerful beats that spontaneously dialogue with the feminine company of the flute. Since “Pirata”, her first album release, La Dame Blanche navigates with ease the explosive lyrics of Cuban urban hip hop.

La Dame Blanche has five albums to her credit as well as numerous collaborations with artists from around the world. For more than a decade, their songs have sought to humbly enter homes as an irreverent shout that empowers and soothes with joy the true things in life.

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